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A while back, I wrote an overview of the BL publishers that existed about two years ago. Time for a quick update!
DMP's BL imprints are June, 801 Media and Doki Doki.
June used to be known for pretty tame BL fare, but now it has become a better mix of tame-to-racy. 801 Media is still the imprint to go to for more explicit stories. Doki Doki is an imprint created to cater directly to a Japanese publisher. Most of the DD releases have been BL tales, but not all, and most of the BL titles have been the kind of tame June used to be known for. Still, people seem to appreciate the DD titles for what they are.
Aurora Publishing has the Deux line as well as the Luv Luv line for Girl Love titles.
I think if Deux existed on its own, it might still be a healthy company. As it is, Deux releases have slowed to a crawl with the rest of Aurora's titles, and I'm seriously worried for Aurora's survival. The Duex imprint put out some excellent titles over the years. You should look into them soon, before they all go out of print and everyone in the world starts chasing the titles for stupid prices.
Tokyopop's BL titles usually end up under the BLU imprint (this could confuse Snupin fans ~_^).
Tokyopop has admitted that their BLU titles always sell well, yet the company treats the imprint like a red-headed step-child (for those who don't recognize the saying, like it doesn't belong to them). The web site, long neglected, is just now showing signs of life this month, and releases have still been coming from the imprint, even if it's only about 1 title a month. BLU titles are rarely anthologies, and they usually have only mild BL content, although there are a couple exceptions to this.
Yaoi Press - the publisher's name kinda speaks for itself.
There is nothing but Original English Language BL to be found here, ranging from super-dark to sickeningly sweet - in fact, most of the YP titles exist at one of the two extremes.
Netcomics - This company has an interesting set-up. You can read chapters of a book online for very little money. When a title becomes popular enough (and, probably when Netcomics has gathered up enough capital in general), it is then printed and offered for sale as a book.
Netcomics has put out some eclectic work over the years, ranging from Korean titles with only implied BL to some fairly explicit works. You never quite know what you're going to see next from NC, and their release schedule is sporadic, with no titles for months and then three at a time. I'd say that this is the place to go for edgy material, exciting new artists and a-typical BL reads.
Yen Press began offering some BL titles late last year.
They seem to have taken to Lily Hoshino, and their other BL title so far is also fairly explicit, so I'm hoping for good things from Yen Press next year in terms of BL. They put out nice, compact little books.
Go! Comi thinks it sells BL titles.
No, seriously, Go! Comi's only true mature BL offering is Wendy Pini's Masque of the Red Death. Cantarella is considered mild BL at best and then the most recent books GC listed as BL this year were...not. They were general stories with very bishie characters. I'm not sure where Go! Comi is headed next with BL, but I'm hoping it will at least swerve back into true BL waters.
Media Blaster's BL book imprint is Kitty Media. I don't suggest going to the site. In fact, just go here, it will make your life easier.
Kitty media books are generally the most explicit tales out there, and while I hammered the company a couple years ago, I have to admit, the books have steadily improved at KM. Series are published from the beginning, rather than starting in the middle, and the translations and paper quality seem to have improved. The books themselves are still among the smallest in size, but good paper goes a long way toward readability.
Yaoi Generation is a new publisher, dating back to last year.
So far, YG has put out 4 volumes of a 5-book series over the past year and a half. It finally announced its next two titles around the time the 4th book came out. Honestly, I don't see this glacial pace as a bad plan. Sure, I'd love to have lots of new titles to pick and choose from, but I'd much rather the publisher take it slow and steady than to see it put out a bunch of work all at once and then fold from too much overhead. I was surprised when YG announced itself just as the economic crisis started, and even more surprised when the first book actually came out. YG seems to have a plan, and I think as long as the people behind YG stick to the plan, YG can become an exciting new company - one I'll still be talking about in two more years. ~_^
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